A Red Dot Marked The Mafia Boss At A Charity Auction. She Saw It First-thuyhien

The red dot appeared between Cassian Morelli’s eyes at 8:41 p.m., just as the orchestra in the Savannah Grand Ballroom shifted into Mozart.

Nobody screamed because nobody saw it.

Three hundred guests stood under crystal chandeliers with champagne in their hands and charity smiles on their faces, pretending the room was about art, kindness, and generous tax write-offs.

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Cassian knew better.

He had spent forty-one years learning that the prettiest rooms often hid the ugliest business.

Marble floors could shine like water.

White roses could perfume the air until it felt clean.

A tuxedo could make a thief look like a donor.

That night, Preston Thorne had built an entire room around that lesson.

The Aurelia Art Charity Auction was supposed to raise money, flatter rich people, and make dirty money look like culture.

It had glossy programs at the door.

It had a registration table with auction paddles stacked in neat rows.

It had paintings lit by careful spotlights and sculptures sitting on pedestals behind velvet ropes.

It also had three men who did not belong.

Cassian saw the first near the service corridor.

The man carried a towel over one arm and moved with the smooth patience of somebody trained to wait.

Too smooth for hotel staff.

The second stood in the northeast corner and adjusted his cuff three times without ever checking the cuff.

The third sat behind the orchestra, holding a violin with hands that looked more used to metal than music.

Cassian did not move toward any of them.

Men who survive do not announce what they notice.

They let the room keep lying.

From the second-floor balcony, he watched Preston Thorne on the ballroom floor, shaking hands and accepting compliments with a smile that looked expensive and unused.

Thorne was a developer.

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